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This performance was a cover of an artwork that I saw at a performance evening of The Robert’s Institut of Art, London, in 2016/2017. A work that changed my life but whose author is forever lost to my mind's artwork archive. The pictured performance and contact ad was my call out for the artist to come back to me. It consists in me telling the story of the original performance evening, and then performing the 1983 cult pop song Total Eclipse of the Heart by Bonnie Tyler.
Duration: 10 min, 2025
Bar Zeppelin/ Gondolen
Foto: Jonas Hemlin.
Suicide Aesthetics
Text, performance, video
Duration: 12 min, 2024 – ongoing
Konstakademien, Stockholm
Suicide Aesthetics
Text, performance, video
Duration: 12 min, 2024 – ongoing
Stockholm School of Economics, Stockholm
Suicide Aesthetics
Text, performance, video
Performed at the examination of Trouble Looking for a Place to Happen
Duration: 12 min, 2024 – ongoing
Galleri Mejan, Stockholm, video Caio Marques De Oliveira
The Text That Ended Rape
Monologue revolving around a dream of a violent rape revenge. Shaped by splatter, fantasy and cautionary tales, the work explores sexual trauma as it is inflicted and perpetuated through supposedly benign anti-rape storytelling.
Duration: 11 mins.
Fronda Gallery, London, 2025
Photo Emma Øverland Dudlyke
The Text That Ended Rape
Performance monologue.
Duration: 11 mins.
Clips in the video are from the video studio at Royal Institute of Art, Stockholm (2024) respectively Industra, Brno (2023). The latter in the exhibition Genealogy of a Scapegoat by Mary Furniss.
The Real Ritual
Experimental theatre play anchored in the tradition of conceptual art, and an intuitive exploraiton of topics such as attraction, fear and collective reality, in collaboration with Marie Karlberg, Sigrid Windolf and Nina Kihlborg
Duration: 40 mins, 2024
Peformed at Beau Travail, Stockholm
Photos by Andreas Bertman, screenshots from video documentation by Neil Wigardt and Valadyslav Kamensky
In
A multi staged funerary ritual in which dying is a mental exercise and play undertaken by the artist and the audience. Shortly put: For one hour, participants pretend that they are dying in a mediation guided by the artist. Framed by monologue, touch, popular music and the metaphor of melting inwards, ritual becomes a conduit for the extreme fiction that it is possible to imagine ones own death.
Duration: 1 h, 2022
Documented in On The Verge, curated by Lauren Johnson and Jeanette Gunnarson at Wetterling Gallery, Stockholm
Photo Aron Pelcman
TWO COWS
Performance and video in collaboration with Ella Fleck
Duration: 5 min
In I wouldn’t touch that if I were you, curated by Nicole Walker, A-House, Stockholm, 2022
NAHCO
Participatory performance and installation. The audience navigates the installation on the basis of character cards containing instructions, changing the installation as the performance unfolds. The artist is by the oven on the stage, baking sponge cakes.
Duration: 4 h, 2022
At Pogon Jedinstvo for Močvara Gallery, Zagreb
Photo by Ive Trojanovic