Ad, 2025
A cover of another artist’s performance. The original work changed my life, but its title and author is forever lost to my mind's artwork archive. After almost ten years of searching for them, I have no other choice but to start restaging the performance. Ad is recreation of the original work and a contact ad for the original artist to come back to me. Duration: 10 min
Gondolen, Stockholm
Foto: Jonas Hemlin.
Suicide Aesthetics,2024 – ongoing
Text, performance, video. Duration: 12 min,
Konstakademien, Stockholm
Suicide Aesthetics, 2024 – ongoing
Text, performance, video
Performed at the examination of Trouble Looking for a Place to Happen
Duration: 12 min
Galleri Mejan, Stockholm, video Caio Marques De Oliveira
Suicide Aesthetics, 2024 – ongoing
Text, performance, video
Duration: 12 min
Stockholm School of Economics, Stockholm
The Text That Ended Rape, 2025
Monologue revolving around a dream of a violent rape revenge. Shaped by splatter, fantasy and cautionary tales, the work explores sexual trauma as it is inflicted and perpetuated through supposedly benign anti-rape storytelling.
Duration: 11 mins.
Fronda Gallery, London
Photo Emma Øverland Dudlyke
The Text That Ended Rape, 2023
Duration: 11 mins
Clips in the video are from the video studio at Royal Institute of Art, Stockholm (2025) respetively Industra, Brno (2023) and the exhibition Genealogy of a Scapegoat by Mary Furniss.
The Real Ritual, 2024
A collaboratively devised play with Marie Karlberg, Sigrid Windolf and Nina Kihlborg, exploring themes like gossip and attraction.
Duration: 40 mins
Beau Travail, Stockholm
Photos by Andreas Bertman, stills from video documentation by Neil Wigardt and Valadyslav Kamensky
In, 2022
A multi staged funerary ritual where dying is a mental exercise. For one hour, participants and artist pretend that they are dying, sinking deeper in to death through a guided meditation. The performance is framed by monologue, touch, popular music and the metaphor of melting inwards, ultimately using ritual as a conduit for the fiction that it is possible to imagine ones own death.
Duration: 1 h
Documented in On The Verge, curated by Lauren Johnson and Jeanette Gunnarson at Wetterling Gallery, Stockholm
Photo Aron Pelcman
TWO COWS, 2020
Performance and video in collaboration with Ella Fleck
Duration: 5 min
In I wouldn’t touch that if I were you, curated by Nicole Walker, A-House, Stockholm, 2022
NAHCO, 2022
Participatory performance and installation. The audience navigates the installation on the basis of character cards containing instructions, changing the installation as the performance unfolds. The artist is by the oven on the stage, baking sponge cakes.
Duration: 4 h
At Pogon Jedinstvo for Močvara Gallery, Zagreb
Photo by Ive Trojanovic
The Text That Ended Rape, 2023
Monologue revolving around a dream of a violent rape revenge. Shaped by splatter, fantasy and cautionary tales, the work explores sexual trauma as it is inflicted and perpetuated through supposedly benign anti-rape storytelling.
Duration: 11 mins
Clips in the video are from the video studio at Royal Institute of Art, Stockholm (2025) respetively Industra, Brno (2023) and the exhibition Genealogy of a Scapegoat by Mary Furniss.
TWO COWS, 2022
Performance and video in collaboration with Ella Fleck
Duration: 5 min
In I wouldn’t touch that if I were you, curated by Nicole Walker, A-House, Stockholm