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	<title>jaanakristiina.se</title>
	<link>https://www.jaanakristiina.se</link>
	<description>jaanakristiina.se</description>
	<pubDate>Fri, 06 Jun 2025 13:45:24 +0000</pubDate>
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		<title>installation, sculpture, image</title>
				
		<link>https://www.jaanakristiina.se/installation-sculpture-image</link>

		<pubDate>Wed, 05 Feb 2025 16:03:37 +0000</pubDate>

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		<description>&#38;nbsp;

&#60;img width="2100" height="1401" width_o="2100" height_o="1401" data-src="https://freight.cargo.site/t/original/i/96464aceecfa235b477ba6a6fe55a3e8de0a07c41cc0ad01afec73f66c73eb75/Skulptur-projekte-2_085.jpg" data-mid="239531393" border="0"  src="https://freight.cargo.site/w/1000/i/96464aceecfa235b477ba6a6fe55a3e8de0a07c41cc0ad01afec73f66c73eb75/Skulptur-projekte-2_085.jpg" /&#62;

&#60;img width="2100" height="1401" width_o="2100" height_o="1401" data-src="https://freight.cargo.site/t/original/i/c07200913646f550b535ce5d01d7dabe1c9d367e5aebe0c38d00039042e5814d/Skulptur-projekte-2_086.jpg" data-mid="239531455" border="0"  src="https://freight.cargo.site/w/1000/i/c07200913646f550b535ce5d01d7dabe1c9d367e5aebe0c38d00039042e5814d/Skulptur-projekte-2_086.jpg" /&#62;

Dywtcoaempticoyf, 2025Spray paint, acrylic paint, jesmonite, epoxy clay, wood filler, styrofoam, wood glue, dust rubbish, gluestick, hairpsrayDimensions variable In Skulptur Projekte 2.0, Beau Travail, Stockholm
 

&#60;img width="2100" height="1401" width_o="2100" height_o="1401" data-src="https://freight.cargo.site/t/original/i/2c94a5e18bbaf82df810717adf52b41ffbc9af21b988bc3ed9ccd809cea1b185/Skulptur-projekte-2_095.jpg" data-mid="239531387" border="0"  src="https://freight.cargo.site/w/1000/i/2c94a5e18bbaf82df810717adf52b41ffbc9af21b988bc3ed9ccd809cea1b185/Skulptur-projekte-2_095.jpg" /&#62;
Deer, deer, deer, 2025Spray paint, acrylic paint, jesmonite, epoxy clay, wood filler, styrofoam, saw dust In Skulptur Projekte 2.0, Beau Travail, Stockholm



&#60;img width="6000" height="4500" width_o="6000" height_o="4500" data-src="https://freight.cargo.site/t/original/i/de9e33c31b590da489e8bbf32e38c9c192c79e6cb6369a89e50ac5bba2410250/Jaana-Kristiina_Alakoski_MA_KKH_2025-9957.jpg" data-mid="235418690" border="0"  src="https://freight.cargo.site/w/1000/i/de9e33c31b590da489e8bbf32e38c9c192c79e6cb6369a89e50ac5bba2410250/Jaana-Kristiina_Alakoski_MA_KKH_2025-9957.jpg" /&#62;Deer, deer, deer, 2025Spray paint, acrylic paint, jesmonite, epoxy clay, wood filler, styrofoam, wood glue, dust rubbish, gluestick, hairpsray Konstakademien, StockholmPhoto Jean-Baptiste Béranger


&#60;img width="6000" height="4500" width_o="6000" height_o="4500" data-src="https://freight.cargo.site/t/original/i/0fb0c3e1f434de1ac0a9177caeeb904331f6af162526e206a09e43993219b1c0/Jaana-Kristiina_Alakoski_MA_KKH_2025-3086.jpg" data-mid="239531511" border="0"  src="https://freight.cargo.site/w/1000/i/0fb0c3e1f434de1ac0a9177caeeb904331f6af162526e206a09e43993219b1c0/Jaana-Kristiina_Alakoski_MA_KKH_2025-3086.jpg" /&#62;

Installation view, Deer, deer, deer (x2&#38;nbsp;)and Dywtcoaempticoyf, 2025Spray paint, acrylic paint, jesmonite, epoxy clay, wood filler, styrofoam, wood glue, dust rubbish, gluestick, hairpsray 
Konstakademien, Stockholm
Photo Jean-Baptiste Béranger



&#60;img width="5472" height="3319" width_o="5472" height_o="3319" data-src="https://freight.cargo.site/t/original/i/e5272c609e96efbf36806d72c832ee4fff299f216362a053bb19dceee1aacb24/b-b-b-b-b-b-b-b-b-b-b-b-b-b.jpg" data-mid="234251255" border="0"  src="https://freight.cargo.site/w/1000/i/e5272c609e96efbf36806d72c832ee4fff299f216362a053bb19dceee1aacb24/b-b-b-b-b-b-b-b-b-b-b-b-b-b.jpg" /&#62;


&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/7d77aad2585ff14f8cc325d96e46c47676599b134a59c0124624cc002d6c812a/b-b-b-b-b-b-b-b-b-b-b-b-b-b_2.jpg" data-mid="234251257" border="0"  src="https://freight.cargo.site/w/1000/i/7d77aad2585ff14f8cc325d96e46c47676599b134a59c0124624cc002d6c812a/b-b-b-b-b-b-b-b-b-b-b-b-b-b_2.jpg" /&#62;
b b b b b b b b b b b b b b, 2025Dust, rubbish, glue stick, hairspray 197 x 76 x 5 cmKonstakademien, Stockholm&#38;nbsp;

&#60;img width="3648" height="5472" width_o="3648" height_o="5472" data-src="https://freight.cargo.site/t/original/i/f28be41c7bfeaee839d49842752a07f03e85290d817a5d6ae51a3b765053726f/Brown-Trouser-Moment_DSC08905.jpg" data-mid="239531663" border="0"  src="https://freight.cargo.site/w/1000/i/f28be41c7bfeaee839d49842752a07f03e85290d817a5d6ae51a3b765053726f/Brown-Trouser-Moment_DSC08905.jpg" /&#62;
Brown Trouser Moment, 2025
Digital drawing on photograph, digital print&#38;nbsp;
Konstakademien, Stockholm&#38;nbsp;

&#60;img width="6000" height="4118" width_o="6000" height_o="4118" data-src="https://freight.cargo.site/t/original/i/28a00869070da0763527480a56fb84c9c68364d287b66f8d9a4a2b76c3706461/_DSF9960.jpg" data-mid="234250620" border="0"  src="https://freight.cargo.site/w/1000/i/28a00869070da0763527480a56fb84c9c68364d287b66f8d9a4a2b76c3706461/_DSF9960.jpg" /&#62;
Trouble Looking for a Place to Happen, installation view, 2024A monument of obsession to the True Blood protagonist, Sookie Stackhouse. Sculptures, video, merch, dust and readymades of the installation were all placed in the
space tell the story of a fan’s true love of the 25 year old telepath and waitress. exhibition textDimensions variableGalleri Mejan, Stockholm
Photo Jean-Baptise Béranger



&#60;img width="4480" height="6720" width_o="4480" height_o="6720" data-src="https://freight.cargo.site/t/original/i/1d3eb67479d07368fdde97020b9785be6b3e2568a0ef2f41ab55342e9373f5f9/The-King-of-my-Show-3_568_COLD.jpg" data-mid="234250652" border="0"  src="https://freight.cargo.site/w/1000/i/1d3eb67479d07368fdde97020b9785be6b3e2568a0ef2f41ab55342e9373f5f9/The-King-of-my-Show-3_568_COLD.jpg" /&#62;&#60;img width="4480" height="6720" width_o="4480" height_o="6720" data-src="https://freight.cargo.site/t/original/i/64b669e913ad786777510f8edb1c315779e6de1da59e4c63d8415f9363bdb250/The-King-of-My-Show2_E4A0542.jpg" data-mid="234250702" border="0"  src="https://freight.cargo.site/w/1000/i/64b669e913ad786777510f8edb1c315779e6de1da59e4c63d8415f9363bdb250/The-King-of-My-Show2_E4A0542.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/723ceef1eea567b90e90186731f54d4e1c9f661b163d9a8e2c4ebc645495265f/HAR.jpg" data-mid="234250705" border="0"  src="https://freight.cargo.site/w/1000/i/723ceef1eea567b90e90186731f54d4e1c9f661b163d9a8e2c4ebc645495265f/HAR.jpg" /&#62;
The King of My Show and Best Girlfriend, 2024Pigmented jesmonite, glass fiber, styrofoam, wood filler, crystal plate, paper collage, metal chain and customized stuffed toy175 x 110 x 110 cmGalleri Mejan, Stockholm

&#60;img width="4500" height="6000" width_o="4500" height_o="6000" data-src="https://freight.cargo.site/t/original/i/5bfd9e26f4d33fcbcbc91076709241367a07c4a784d68d710474851f4782a62f/Jaana-Kristiina_Alakoski_MA_KKH_2024-25-0045.jpg" data-mid="226057325" border="0"  src="https://freight.cargo.site/w/1000/i/5bfd9e26f4d33fcbcbc91076709241367a07c4a784d68d710474851f4782a62f/Jaana-Kristiina_Alakoski_MA_KKH_2024-25-0045.jpg" /&#62;
Snookie, 2024Enlarged screenshot and digital drawing on cardboard cut out Height: 165 cm&#38;nbsp;
Galleri Mejan, StockholmPhoto by Jean-Baptiste Béranger

&#60;img width="4352" height="3264" width_o="4352" height_o="3264" data-src="https://freight.cargo.site/t/original/i/6d4823593049528e82ada2ed4488de8a058a3513cbd1fe92c620d19ec2053b81/Orphan-Girl_EDIT.jpg" data-mid="239531314" border="0"  src="https://freight.cargo.site/w/1000/i/6d4823593049528e82ada2ed4488de8a058a3513cbd1fe92c620d19ec2053b81/Orphan-Girl_EDIT.jpg" /&#62;


&#60;img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/de22b63d203f01126623052b72110c9f0733eb74a03a106bf99f2121bfbdca84/Doggy2_E4A9993.jpg" data-mid="227071316" border="0"  src="https://freight.cargo.site/w/1000/i/de22b63d203f01126623052b72110c9f0733eb74a03a106bf99f2121bfbdca84/Doggy2_E4A9993.jpg" /&#62;
Orphan Girl, 2024
Jesmonite, glass fiber straw, wood filler, styrofoam, spray paint, paper, pin
130 x 142 x 80 cmDopamin and Galleri Mejan, Stockholm


&#60;img width="4500" height="6000" width_o="4500" height_o="6000" data-src="https://freight.cargo.site/t/original/i/1bf47d1df661f086650d4f0318ecf3cc6aa6b9c7d4e3ea0a572db76c791b0bc8/_DSF9906.jpg" data-mid="234250658" border="0"  src="https://freight.cargo.site/w/1000/i/1bf47d1df661f086650d4f0318ecf3cc6aa6b9c7d4e3ea0a572db76c791b0bc8/_DSF9906.jpg" /&#62;

				
			
		
	

Detail of Trouble Looking for a Place to Happen, 2024Two readymade bookshelves from Bygghemma, dust, found glass and plasticware, pistachio nut shells and bag, cellophane wrapping, broken glass, synthetic rose petalsGalleri Mejan, Stockholm&#38;nbsp;Photo by Jean-Baptiste Béranger



&#60;img width="4500" height="6000" width_o="4500" height_o="6000" data-src="https://freight.cargo.site/t/original/i/4a530f786e2729cf2ef6894c783e140ff2d8ab8ffc2755dcbe952a5d449b7d99/Jaana-Kristiina_Alakoski_MA_KKH_2024-25-9916.jpg" data-mid="226182487" border="0"  src="https://freight.cargo.site/w/1000/i/4a530f786e2729cf2ef6894c783e140ff2d8ab8ffc2755dcbe952a5d449b7d99/Jaana-Kristiina_Alakoski_MA_KKH_2024-25-9916.jpg" /&#62;Obsessed with this girl, 2024Graphite and coloured pencil on paper&#38;nbsp;
41 x 59 cm
Galleri MejanPhoto by Jean-Baptiste Béranger


&#60;img width="2598" height="1616" width_o="2598" height_o="1616" data-src="https://freight.cargo.site/t/original/i/a56543e0534bf9f86d82cb2e41ee7560b25ffee269274fdaf7d64fac174c42fc/Story-of-A-Fist_CROP.jpg" data-mid="226183991" border="0"  src="https://freight.cargo.site/w/1000/i/a56543e0534bf9f86d82cb2e41ee7560b25ffee269274fdaf7d64fac174c42fc/Story-of-A-Fist_CROP.jpg" /&#62;
&#60;img width="2598" height="1614" width_o="2598" height_o="1614" data-src="https://freight.cargo.site/t/original/i/eb76dfda162fdca5a04195b85527a7463b9e07da420d2ec6968c84733c29d629/Story-of-A-Fist-2_CROP.jpg" data-mid="226183992" border="0"  src="https://freight.cargo.site/w/1000/i/eb76dfda162fdca5a04195b85527a7463b9e07da420d2ec6968c84733c29d629/Story-of-A-Fist-2_CROP.jpg" /&#62;

Story of a Fist, 2022
Digital drawing on photograph, giclee print, wire, dry pastels on canvas, sewing thread, glue. 
Dimensions variable
In Venture Capitalist Strategies, curated by Jeronim Horvat, Stücki Park, Basel&#38;nbsp;
Photo by Gina Folly
&#60;img width="3722" height="4653" width_o="3722" height_o="4653" data-src="https://freight.cargo.site/t/original/i/fde013331b6a7dbf5c5e0afb123d909f3f26008324b1a1e21bb47621e59b5e9c/Captain.jpg" data-mid="227535431" border="0"  src="https://freight.cargo.site/w/1000/i/fde013331b6a7dbf5c5e0afb123d909f3f26008324b1a1e21bb47621e59b5e9c/Captain.jpg" /&#62;
&#60;img width="3264" height="4352" width_o="3264" height_o="4352" data-src="https://freight.cargo.site/t/original/i/b396689dc0c9a0d3804dda512d6890a98c1cdacf1f1875452cee780b511dc20e/Captain_BACK.jpg" data-mid="227535620" border="0"  src="https://freight.cargo.site/w/1000/i/b396689dc0c9a0d3804dda512d6890a98c1cdacf1f1875452cee780b511dc20e/Captain_BACK.jpg" /&#62;
Captain, 2022Front and back. Handmade pine wood frame, digital drawing on photograph, dry pastel and acryllic paint50 x 45 cmIn Hagazussa curated by Kruger, StockholmPhoto Julia Malmquist


&#60;img width="3636" height="4545" width_o="3636" height_o="4545" data-src="https://freight.cargo.site/t/original/i/bfc0c231db3a83038495c277fc008885186e3d6c6478ac64d86801ccab01d6fb/Speaker-1.jpg" data-mid="239531332" border="0"  src="https://freight.cargo.site/w/1000/i/bfc0c231db3a83038495c277fc008885186e3d6c6478ac64d86801ccab01d6fb/Speaker-1.jpg" /&#62;&#60;img width="3264" height="4352" width_o="3264" height_o="4352" data-src="https://freight.cargo.site/t/original/i/03b18bf60e2bca00157d7960a772e30ba2d6bdb6c9d4d792aff95938e9fd1491/Speaker-1_BACK-copy.jpg" data-mid="239531334" border="0"  src="https://freight.cargo.site/w/1000/i/03b18bf60e2bca00157d7960a772e30ba2d6bdb6c9d4d792aff95938e9fd1491/Speaker-1_BACK-copy.jpg" /&#62;
Speaker 1, 2022Front and back. Handmade pine wood frame, digital drawing on photograph, dry pastel and acryllic paint50 x 45 cmIn Hagazussa curated by Kruger, StockholmPhoto Julia Malmquist




&#60;img width="3769" height="4712" width_o="3769" height_o="4712" data-src="https://freight.cargo.site/t/original/i/123aa29f4b35495042010b8cb510f3abac93f844f69f4ec8da8e73ea8f9890f1/Beste.jpg" data-mid="239531338" border="0"  src="https://freight.cargo.site/w/1000/i/123aa29f4b35495042010b8cb510f3abac93f844f69f4ec8da8e73ea8f9890f1/Beste.jpg" /&#62;
&#60;img width="3264" height="4352" width_o="3264" height_o="4352" data-src="https://freight.cargo.site/t/original/i/489e80c76fc11e0853aafcc3d18e05c123ca6fc437d45ff2c3ce1b6f4ba8192f/Beste_BACK.jpg" data-mid="239531375" border="0"  src="https://freight.cargo.site/w/1000/i/489e80c76fc11e0853aafcc3d18e05c123ca6fc437d45ff2c3ce1b6f4ba8192f/Beste_BACK.jpg" /&#62;Beste, 2022Front and back. Handmade pine wood frame, digital drawing on photograph, dry pastel and acryllic paint50 x 45 cmIn Hagazussa curated by Kruger, StockholmPhoto Julia Malmquist

&#60;img width="3500" height="2335" width_o="3500" height_o="2335" data-src="https://freight.cargo.site/t/original/i/71bd6527e77ea5666aa1d5ce86154f217febdb80fccab0766cb995d7da98a85b/Overview.jpg" data-mid="227534820" border="0"  src="https://freight.cargo.site/w/1000/i/71bd6527e77ea5666aa1d5ce86154f217febdb80fccab0766cb995d7da98a85b/Overview.jpg" /&#62;&#60;img width="3024" height="3024" width_o="3024" height_o="3024" data-src="https://freight.cargo.site/t/original/i/e179052677013712b85849b66ace0dc2104c8fc7c44fb1c7c7d08d90fcc5b8f3/19367B26-37E4-4835-AD08-18DA70A1F82E.JPG" data-mid="227547974" border="0"  src="https://freight.cargo.site/w/1000/i/e179052677013712b85849b66ace0dc2104c8fc7c44fb1c7c7d08d90fcc5b8f3/19367B26-37E4-4835-AD08-18DA70A1F82E.JPG" /&#62;
&#60;img width="3500" height="2335" width_o="3500" height_o="2335" data-src="https://freight.cargo.site/t/original/i/5bb23db12489081674c8babb16853cec8ec13779e11f6084a4c730edb36dd616/DSC03035.jpg" data-mid="227534828" border="0"  src="https://freight.cargo.site/w/1000/i/5bb23db12489081674c8babb16853cec8ec13779e11f6084a4c730edb36dd616/DSC03035.jpg" /&#62;

&#60;img width="2102" height="1132" width_o="2102" height_o="1132" data-src="https://freight.cargo.site/t/original/i/0022f2cf1fb3156639f7afc9a6b2d7f0b075a2d040f580a83c97558636e3b77b/JK2.jpg" data-mid="227534811" border="0"  src="https://freight.cargo.site/w/1000/i/0022f2cf1fb3156639f7afc9a6b2d7f0b075a2d040f580a83c97558636e3b77b/JK2.jpg" /&#62;

&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/a0ea150ba780183cccc556608e0fbc91221099c42c4aeb31cce821e9c12c1b55/IMG_7891.jpg" data-mid="227551116" border="0"  src="https://freight.cargo.site/w/1000/i/a0ea150ba780183cccc556608e0fbc91221099c42c4aeb31cce821e9c12c1b55/IMG_7891.jpg" /&#62;

NAHCO, 2022Participatory performance and installation.&#38;nbsp;The audience navigates the installation on the basis of character cards containing instructions, changing the installation as the performance unfolds. The artist is by the
oven on the stage, baking sponge cakes.Dimensions variable, duration: 4 h

At Pogon Jedinstvo for Močvara Gallery, ZagrebPhoto by Ive Trojanovic
</description>
		
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	<item>
		<title>performance</title>
				
		<link>https://www.jaanakristiina.se/performance</link>

		<pubDate>Fri, 06 Jun 2025 12:53:03 +0000</pubDate>

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		<description>&#60;img width="5995" height="3729" width_o="5995" height_o="3729" data-src="https://freight.cargo.site/t/original/i/13a1eece1f169e0a4878d6683932a1057be06d249d695abcc7603572fbee5b50/GRUEL_1_EDIT.jpg" data-mid="242556395" border="0"  src="https://freight.cargo.site/w/1000/i/13a1eece1f169e0a4878d6683932a1057be06d249d695abcc7603572fbee5b50/GRUEL_1_EDIT.jpg" /&#62;&#60;img width="5995" height="3729" width_o="5995" height_o="3729" data-src="https://freight.cargo.site/t/original/i/ccd8c92b89c465569e947dffa0664fd4116211a73b504c105bc56256efbeb746/GRUEL_2_EDIT_SMALL.jpg" data-mid="242556407" border="0"  src="https://freight.cargo.site/w/1000/i/ccd8c92b89c465569e947dffa0664fd4116211a73b504c105bc56256efbeb746/GRUEL_2_EDIT_SMALL.jpg" /&#62;&#60;img width="5995" height="3729" width_o="5995" height_o="3729" data-src="https://freight.cargo.site/t/original/i/f4db0e53cb47457949b1b6c5088624ec92e53f7a2d5091ac2cc677a454e93d1b/GRUEL_3_EDIT_SMALL.jpg" data-mid="242556412" border="0"  src="https://freight.cargo.site/w/1000/i/f4db0e53cb47457949b1b6c5088624ec92e53f7a2d5091ac2cc677a454e93d1b/GRUEL_3_EDIT_SMALL.jpg" /&#62;&#60;img width="5995" height="3729" width_o="5995" height_o="3729" data-src="https://freight.cargo.site/t/original/i/53ce91d096536b000b161a08ba56020defe33142263be7381c8094275cf4e0a0/GRUEL_5_EDIT_SMALL.jpg" data-mid="242556767" border="0"  src="https://freight.cargo.site/w/1000/i/53ce91d096536b000b161a08ba56020defe33142263be7381c8094275cf4e0a0/GRUEL_5_EDIT_SMALL.jpg" /&#62;&#60;img width="5995" height="3729" width_o="5995" height_o="3729" data-src="https://freight.cargo.site/t/original/i/e8f734ec78be721835fe11da21a681d5c93c674c4dcc7a7816e9392fc588f1e4/GRUEL_4_EDIT_SMALL.jpg" data-mid="242556423" border="0"  src="https://freight.cargo.site/w/1000/i/e8f734ec78be721835fe11da21a681d5c93c674c4dcc7a7816e9392fc588f1e4/GRUEL_4_EDIT_SMALL.jpg" /&#62;

Gruel, 2025&#38;nbsp;

Performance. Duration: ca 1,5 h.&#38;nbsp;
At Klotet, Beau Travail christmas party&#38;nbsp;
&#38;nbsp;&#60;img width="3000" height="4000" width_o="3000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/0b654a2a1524b52719ad26ad2aa12b4feb97e6463ddd9b04ba7038d82fe7f5ed/IMG_1025.jpg" data-mid="234251675" border="0"  src="https://freight.cargo.site/w/1000/i/0b654a2a1524b52719ad26ad2aa12b4feb97e6463ddd9b04ba7038d82fe7f5ed/IMG_1025.jpg" /&#62;
Ad, 2025A cover of another artist’s performance. The original artwork changed my life, but its title and author is forever lost to my mind's artwork archive. After ten years of searching for work and artist, I see tht I have no choice but to start restaging the original performance. Ad is recreation of the original work as well a contact ad for the artist to come back to me. Duration: 10 min

Klotet, Stockholm&#38;nbsp;Foto: Jonas Hemlin. 




&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/d048877d021bfd12714a6529adc46e7d070ba21a83935abe8097fd79a85ee958/IMG_7322_EDITED-copy.jpg" data-mid="234252136" border="0"  src="https://freight.cargo.site/w/1000/i/d048877d021bfd12714a6529adc46e7d070ba21a83935abe8097fd79a85ee958/IMG_7322_EDITED-copy.jpg" /&#62;Suicide Aesthetics,2024 – ongoing
Text, performance, video. Duration: 12 min,&#38;nbsp;Konstakademien, Stockholm



Suicide Aesthetics, 2024 – ongoing
Text, performance, videoPerformed at the examination of Trouble Looking for a Place to HappenDuration: 12 min
Galleri Mejan, Stockholm, video Caio Marques De Oliveira


&#60;img width="2880" height="1602" width_o="2880" height_o="1602" data-src="https://freight.cargo.site/t/original/i/087da2efacbe57289c6f2b3a0fa7fca99c4ee11d95d5bd295d3196e861524c3d/Screenshot-2024-05-28-at-13.10.17.png" data-mid="234251313" border="0"  src="https://freight.cargo.site/w/1000/i/087da2efacbe57289c6f2b3a0fa7fca99c4ee11d95d5bd295d3196e861524c3d/Screenshot-2024-05-28-at-13.10.17.png" /&#62;
Suicide Aesthetics,&#38;nbsp;2024 – ongoing
Text, performance, video&#38;nbsp;Duration: 12 min
Stockholm School of Economics, Stockholm


&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/512ec38e19cfdca4a129f4b14e16571f324dcdd459e1e4208aa17730f5e2f2b0/2025_03_27_ED_JAANA-KRISTIINA-ALAKOSKI-FRONDA-GALLERY-04.00_01_51_09.Still160.jpg" data-mid="234252438" border="0"  src="https://freight.cargo.site/w/1000/i/512ec38e19cfdca4a129f4b14e16571f324dcdd459e1e4208aa17730f5e2f2b0/2025_03_27_ED_JAANA-KRISTIINA-ALAKOSKI-FRONDA-GALLERY-04.00_01_51_09.Still160.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/b7ce7c5752a445222296a45c461ad5d20a0edcc1057c6663ed493fba16e9d400/2025_03_27_ED_JAANA-KRISTIINA-ALAKOSKI-FRONDA-GALLERY-04.00_00_44_22.Still065.jpg" data-mid="234252441" border="0"  src="https://freight.cargo.site/w/1000/i/b7ce7c5752a445222296a45c461ad5d20a0edcc1057c6663ed493fba16e9d400/2025_03_27_ED_JAANA-KRISTIINA-ALAKOSKI-FRONDA-GALLERY-04.00_00_44_22.Still065.jpg" /&#62;

&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/7907f0a8fda74f046d093b75a2ef7c0f1c3748cda067e304cf85ccfe078eb010/2025_03_27_ED_JAANA-KRISTIINA-ALAKOSKI-FRONDA-GALLERY-04.00_00_28_23.Still032.jpg" data-mid="234252446" border="0"  src="https://freight.cargo.site/w/1000/i/7907f0a8fda74f046d093b75a2ef7c0f1c3748cda067e304cf85ccfe078eb010/2025_03_27_ED_JAANA-KRISTIINA-ALAKOSKI-FRONDA-GALLERY-04.00_00_28_23.Still032.jpg" /&#62;
The Text That Ended Rape, 2025Monologue revolving around a dream of a violent rape revenge. Shaped by splatter, fantasy and cautionary tales, the work explores sexual trauma as it is inflicted and perpetuated through supposedly benign anti-rape storytelling.Duration: 11 mins.

Fronda Gallery, London
Photo Emma Øverland Dudlyke


&#60;img width="2072" height="1233" width_o="2072" height_o="1233" data-src="https://freight.cargo.site/t/original/i/29336d421e004e2879f4d71b3ffa15953cae2ff2b30a961ca6b578f8f8d3e795/The-Text-That-Ended-Rape.jpg" data-mid="234251327" border="0"  src="https://freight.cargo.site/w/1000/i/29336d421e004e2879f4d71b3ffa15953cae2ff2b30a961ca6b578f8f8d3e795/The-Text-That-Ended-Rape.jpg" /&#62;



The Text That Ended Rape, 2023 Duration: 11 minsClips in the video are from the video studio at Royal Institute of Art, Stockholm (2025) respetively Industra, Brno (2023) and the exhibition Genealogy of a Scapegoat by Mary Furniss.







&#60;img width="3509" height="2348" width_o="3509" height_o="2348" data-src="https://freight.cargo.site/t/original/i/366dfbc7cc7de0b5f988ab48b9fe1b0bf336627a78f8048c3414782185b6200b/240830__andreas001913_08.jpg" data-mid="234251311" border="0"  src="https://freight.cargo.site/w/1000/i/366dfbc7cc7de0b5f988ab48b9fe1b0bf336627a78f8048c3414782185b6200b/240830__andreas001913_08.jpg" /&#62;


&#60;img width="3528" height="2360" width_o="3528" height_o="2360" data-src="https://freight.cargo.site/t/original/i/74069973c2dfcdfe8145ae4b791a0070c8287de62448c296bcae2eea9aae7d90/240830__andreas001913_23.jpg" data-mid="234251316" border="0"  src="https://freight.cargo.site/w/1000/i/74069973c2dfcdfe8145ae4b791a0070c8287de62448c296bcae2eea9aae7d90/240830__andreas001913_23.jpg" /&#62;

&#60;img width="2101" height="1140" width_o="2101" height_o="1140" data-src="https://freight.cargo.site/t/original/i/90f9b137f2980c97c10b944d32de26183bcbb35f18de32a47d4ddb97a57b8da8/The-Real-Ritual.jpg" data-mid="234251328" border="0"  src="https://freight.cargo.site/w/1000/i/90f9b137f2980c97c10b944d32de26183bcbb35f18de32a47d4ddb97a57b8da8/The-Real-Ritual.jpg" /&#62;

The Real Ritual, 2024A collaboratively devised play with Marie Karlberg, Sigrid Windolf and Nina Kihlborg,&#38;nbsp;exploring&#38;nbsp; themes like gossip and attraction.&#38;nbsp;

Duration: 40 mins
Beau Travail, StockholmPhotos by Andreas Bertman, stills from video documentation by Neil Wigardt and Valadyslav Kamensky&#38;nbsp;





&#60;img width="2500" height="1666" width_o="2500" height_o="1666" data-src="https://freight.cargo.site/t/original/i/602ebb2e47722825a256a50228499ec39ac9df40156870b405d21c823fab8933/Jaana-Kristiina-Alakoski_22_2.jpeg" data-mid="234251340" border="0"  src="https://freight.cargo.site/w/1000/i/602ebb2e47722825a256a50228499ec39ac9df40156870b405d21c823fab8933/Jaana-Kristiina-Alakoski_22_2.jpeg" /&#62;
In, 2022A multi staged funerary ritual where dying
is a mental exercise. For one hour, participants and artist pretend that they are dying, sinking deeper in to death through a guided meditation. The performance is framed by monologue, touch,
popular music and the metaphor of melting
inwards, ultimately using ritual as a conduit for the 
fiction that it is
possible to imagine ones own death. 
Duration: 1 hDocumented in On The Verge, curated by Lauren Johnson and Jeanette Gunnarson at Wetterling Gallery, Stockholm
Photo Aron Pelcman&#38;nbsp;

				
			
		
	

 


				
			
		
	


&#60;img width="2871" height="1620" width_o="2871" height_o="1620" data-src="https://freight.cargo.site/t/original/i/b43d86f1c96939192295bc5981ab7bffd1c3de51b0102598631a634562505510/Two-Cows_cropped.jpg" data-mid="234251323" border="0"  src="https://freight.cargo.site/w/1000/i/b43d86f1c96939192295bc5981ab7bffd1c3de51b0102598631a634562505510/Two-Cows_cropped.jpg" /&#62;
&#60;img width="2870" height="1613" width_o="2870" height_o="1613" data-src="https://freight.cargo.site/t/original/i/9a4f16b63df9519a28807c5dc552c51a68c114abd7d9268925336d2266fc0d22/Screenshot-2024-06-05-at-19.40.59.png" data-mid="234251321" border="0"  src="https://freight.cargo.site/w/1000/i/9a4f16b63df9519a28807c5dc552c51a68c114abd7d9268925336d2266fc0d22/Screenshot-2024-06-05-at-19.40.59.png" /&#62;

TWO COWS, 2020
Performance and video in collaboration with Ella Fleck
Duration: 5 minIn I wouldn’t touch that if I were you, curated by Nicole Walker, A-House, Stockholm, 2022


&#60;img width="3500" height="2335" width_o="3500" height_o="2335" data-src="https://freight.cargo.site/t/original/i/71bd6527e77ea5666aa1d5ce86154f217febdb80fccab0766cb995d7da98a85b/Overview.jpg" data-mid="234251330" border="0"  src="https://freight.cargo.site/w/1000/i/71bd6527e77ea5666aa1d5ce86154f217febdb80fccab0766cb995d7da98a85b/Overview.jpg" /&#62;&#60;img width="3024" height="3024" width_o="3024" height_o="3024" data-src="https://freight.cargo.site/t/original/i/e179052677013712b85849b66ace0dc2104c8fc7c44fb1c7c7d08d90fcc5b8f3/19367B26-37E4-4835-AD08-18DA70A1F82E.JPG" data-mid="234251335" border="0"  src="https://freight.cargo.site/w/1000/i/e179052677013712b85849b66ace0dc2104c8fc7c44fb1c7c7d08d90fcc5b8f3/19367B26-37E4-4835-AD08-18DA70A1F82E.JPG" /&#62;
&#60;img width="3500" height="2335" width_o="3500" height_o="2335" data-src="https://freight.cargo.site/t/original/i/5bb23db12489081674c8babb16853cec8ec13779e11f6084a4c730edb36dd616/DSC03035.jpg" data-mid="234251331" border="0"  src="https://freight.cargo.site/w/1000/i/5bb23db12489081674c8babb16853cec8ec13779e11f6084a4c730edb36dd616/DSC03035.jpg" /&#62;

&#60;img width="2102" height="1132" width_o="2102" height_o="1132" data-src="https://freight.cargo.site/t/original/i/0022f2cf1fb3156639f7afc9a6b2d7f0b075a2d040f580a83c97558636e3b77b/JK2.jpg" data-mid="234251329" border="0"  src="https://freight.cargo.site/w/1000/i/0022f2cf1fb3156639f7afc9a6b2d7f0b075a2d040f580a83c97558636e3b77b/JK2.jpg" /&#62;

&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/a0ea150ba780183cccc556608e0fbc91221099c42c4aeb31cce821e9c12c1b55/IMG_7891.jpg" data-mid="234251336" border="0"  src="https://freight.cargo.site/w/1000/i/a0ea150ba780183cccc556608e0fbc91221099c42c4aeb31cce821e9c12c1b55/IMG_7891.jpg" /&#62;

NAHCO, 2022Participatory performance and installation.&#38;nbsp;The audience navigates the installation on the basis of character cards containing instructions, changing the installation as the performance unfolds. The artist is by the
oven on the stage, baking sponge cakes.Duration: 4 h

At Pogon Jedinstvo for Močvara Gallery, ZagrebPhoto by Ive Trojanovic

				
			
		
	


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		<title>video</title>
				
		<link>https://www.jaanakristiina.se/video</link>

		<pubDate>Fri, 06 Jun 2025 13:45:24 +0000</pubDate>

		<dc:creator>jaanakristiina.se</dc:creator>

		<guid isPermaLink="true">https://www.jaanakristiina.se/video</guid>

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The Text That Ended Rape, 2023Monologue revolving around a dream of a violent rape revenge. Shaped by splatter, fantasy and cautionary tales, the work explores sexual trauma as it is inflicted and perpetuated through supposedly benign anti-rape storytelling.Duration: 11 minsClips in the video are from the video studio at Royal Institute of Art, Stockholm (2025) respetively Industra, Brno (2023) and the exhibition Genealogy of a Scapegoat by Mary Furniss.


&#60;img width="2871" height="1620" width_o="2871" height_o="1620" data-src="https://freight.cargo.site/t/original/i/b43d86f1c96939192295bc5981ab7bffd1c3de51b0102598631a634562505510/Two-Cows_cropped.jpg" data-mid="234253698" border="0"  src="https://freight.cargo.site/w/1000/i/b43d86f1c96939192295bc5981ab7bffd1c3de51b0102598631a634562505510/Two-Cows_cropped.jpg" /&#62;&#60;img width="2870" height="1613" width_o="2870" height_o="1613" data-src="https://freight.cargo.site/t/original/i/9a4f16b63df9519a28807c5dc552c51a68c114abd7d9268925336d2266fc0d22/Screenshot-2024-06-05-at-19.40.59.png" data-mid="234253694" border="0"  src="https://freight.cargo.site/w/1000/i/9a4f16b63df9519a28807c5dc552c51a68c114abd7d9268925336d2266fc0d22/Screenshot-2024-06-05-at-19.40.59.png" /&#62;

TWO COWS, 2022
Performance and video in collaboration with Ella Fleck
Duration: 5 minIn I wouldn’t touch that if I were you, curated by Nicole Walker, A-House, Stockholm


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		<title>text</title>
				
		<link>https://www.jaanakristiina.se/text</link>

		<pubDate>Sat, 23 Nov 2024 13:26:45 +0000</pubDate>

		<dc:creator>jaanakristiina.se</dc:creator>

		<guid isPermaLink="true">https://www.jaanakristiina.se/text</guid>

		<description>

Excerpt of&#38;nbsp;Dyeusfori och att ställa till rätta, Paletten Nr. 341
Suicide Aesthetics, DiVA
Suicide Aesthetics (manuscript)
Trouble Looking for a Place to Happen&#38;nbsp;


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